I started my next oil painting yesterday afternoon. This is the very, very early stages. I spent a decent amount of time drawing it out first. I realized that some of the angles should probably be set to be mostly correct early on, because it would only make it harder if they weren't done right initially.
I penciled in the two figures, and most of the important wall/counter angles. You'd think that I would have learned from my last painting that I have a hard time with angles, and maybe I should avoid them in my next painting! ;)
The photo was taken by Dick at Woodward's Garden - it's a small, romantic (and delicious!) French restaurant where we had our first date in 1998. We have been going back to celebrate our wedding anniversary over the last few years. It has a special place in our hearts.
It's a tiny restaurant - the front room probably seats about 20 people at most, and has the kitchen in the same room. They expanded into a second room several years back, but we both prefer the coziness of the front room, and always request to be seated there.
Dick actually took the photograph thinking it would be a good potential painting project for me.
As I mentioned, it's very early on, so I realize you can't see much in this photo. It's mostly just the pencil outlines and some darks and lights, which aren't the actual colors that they will eventually be.
More to come!
early stages
the original photo
Thursday, January 31, 2013
Tuesday, January 29, 2013
Monday night's drawing session
After taking last week off for Meg & Grace's visit, I went back to drawing last night. We had my favorite model, Emily! Not only is she super sweet and funny, she has great taste in music and for some reason, seems to be the easiest of all of the models for me to draw.
I experimented a bit with shadow last night. I typically use 4 different charcoal pencils: 2, 4, 6 and white. I drew mainly in the 4, then used the others for variations of shadow darkness/lightness.
10-minute
10-minute
20-minute
20-minute
20-minute
I experimented a bit with shadow last night. I typically use 4 different charcoal pencils: 2, 4, 6 and white. I drew mainly in the 4, then used the others for variations of shadow darkness/lightness.
10-minute
10-minute
20-minute
20-minute
20-minute
Thursday, January 24, 2013
Wednesday, January 23, 2013
The completed Dolores Street Oil Painting!!
"Dolores at 22nd Street"
2013
oil on canvas
24" x 36"
Today, I completed the Dolores Street oil painting that I've been working on for the last 8 weeks.
During today's session, I worked on some last few details: I repainted the car, worked on the building's sign, added more detail and color to the buildings behind the palm trees, and did some final work on the telephone pole. I also did added some more areas of interest inside and around the storefront, and fixed some of the shadows.
This was, by far, the most complex painting I've done so far. In fact, I remember when I first showed Dean, my painting instructor, the photo of what I planned to paint, his words were, Ambitious. ;)
Oh, my! I learned so much while painting this. It's quite remarkable to think of just how much I leaned. The hardest part for me was probably leaning how to get the perspective right. There's a lot of angles in this image, and if one is off, the whole thing doesn't look right.
I also learned a lot about light, and how it falls on different surfaces. Speaking of which, I learned a lot about color mixing, too. As you can see by the main building on the corner, there's a subtle color difference between one side of the building and the other. There's a lot of subtle color differences in there.
I learned how to layout a painting, making changes from a photograph to improve the overall composition. I think the final painting's composition is much stronger than the original photo.
I learned a whole lot more about shadow - they are in so many places throughout the painting. Some of them are very subtle, but make a huge difference.
This was my first city street scene, and I loved it. I will certainly plan on doing more of these.
The painting is still at Dean's studio. It'll have to dry over the next week, then we will varnish it, and I'll be able to bring it home and have it framed.
I took a few photos of the finished painting this evening, although the lighting is not very good. (there's a light shining on the right side, which washes out the color.)
the completed painting
detail
detail
detail
Just for my own records, here are photos from each session from beginning to end. I like to have the progress of each session shown in one place to compare and analyze.
Session One
Session Two
Session Three
Session Four
Session Five
Session Six
Session Seven
Session 8: The completed painting
Original Photograph
Monday, January 21, 2013
Meg & Grace's visit: Day 4
The Jelly Belly Factory!
Jelly Belly Beetle Bug
At the cafeteria of the Jelly Belly Factory - not sure if these colors are actually found in nature...
Mom's Jelly Belly-shaped hot dog, and Grace's Jelly Belly-shaped hamburger
My Dad, Mom, Meg and Grace having lunch at the Jelly Belly Factory
In honor of Dr. Martin Luther King's Birthday
Afternoon snack at the Ice Cream Bar!!
Dinner at home
Sunday, January 20, 2013
Meg & Grace's Visit: Day 3!
Grace, sporting her new stylin' hat outside the Goorin Brothers Hats Store
Lunch at Mario's Bohemian Cigar Store - one of my old favorite SFAI haunts.
The Prime Rib Cart at the House of Prime Rib
Grace and Meg
Grace and her Uncle Dick pose with their hats.
Saturday, January 19, 2013
Meg & Grace's Visit: Day 2
Dick, Meg and Grace - up bright and early to catch the ferry to Alcatraz!
Grace's Alcatraz hat, which we had bought at Chinatown the day before
Taking the ferry to The Rock!
Inside the prison
Grace and Meg inside one of the cells.
One of the fake heads made for the infamous Escape from Alcatraz.
The Recreation Yard
Grace in the Recreation Yard
One of the loveliest places to view the Golden Gate Bridge
At the Musee Macanique
Grace can do it!
Dinner at Benihana
View from the top of Twin Peaks